{"id":1900,"date":"2020-02-28T13:19:46","date_gmt":"2020-02-28T13:19:46","guid":{"rendered":"https:\/\/galeria-ipanema.com\/?page_id=1900"},"modified":"2022-09-14T16:14:29","modified_gmt":"2022-09-14T16:14:29","slug":"antonio-manuel","status":"publish","type":"page","link":"https:\/\/galeria-ipanema.com\/en\/antonio-manuel\/","title":{"rendered":"Antonio Manuel"},"content":{"rendered":"<figure class=\"wp-block-image size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1901\" data-permalink=\"https:\/\/galeria-ipanema.com\/en\/antonio-manuel\/antonio-manuel\/\" data-orig-file=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel.jpg?fit=376%2C320&amp;ssl=1\" data-orig-size=\"376,320\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"antonio-manuel\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel.jpg?fit=376%2C320&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel.jpg?resize=405%2C345&#038;ssl=1\" alt=\"\" class=\"wp-image-1901\" width=\"405\" height=\"345\" srcset=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel.jpg?w=376&amp;ssl=1 376w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel.jpg?resize=300%2C255&amp;ssl=1 300w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>NASCIMENTO<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">1947- Avel\u00e3s de Caminha (Portugal) &#8211; 22 de outubro<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>FORMA\u00c7\u00c3O<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">ca.1965 &#8211; Rio de Janeiro RJ &#8211; Estuda com Augusto Rodrigues (1913 &#8211; 1993), na Escolinha de Arte do Brasil<br>ca.1965\/1973 &#8211; Rio de Janeiro RJ &#8211; Estuda no ateli\u00ea de Ivan Serpa (1923 &#8211; 1973)<br>ca.1965 &#8211; Rio de Janeiro RJ &#8211; Estuda, como ouvinte, na Escola de Belas Artes<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>GALERIA<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"248\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1902\" data-id=\"1902\" src=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel-1.jpg?resize=525%2C248&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel-1.jpg?w=745&amp;ssl=1 745w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel-1.jpg?resize=300%2C142&amp;ssl=1 300w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"248\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-1903\" data-id=\"1903\" src=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel-2.jpg?resize=525%2C248&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel-2.jpg?w=745&amp;ssl=1 745w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2020\/02\/antonio-manuel-2.jpg?resize=300%2C142&amp;ssl=1 300w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"394\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-4648\" data-id=\"4648\" src=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=525%2C394&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?w=3241&amp;ssl=1 3241w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=1536%2C1153&amp;ssl=1 1536w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=2048%2C1537&amp;ssl=1 2048w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=16%2C12&amp;ssl=1 16w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=1200%2C900&amp;ssl=1 1200w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=800%2C600&amp;ssl=1 800w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=400%2C300&amp;ssl=1 400w, https:\/\/i0.wp.com\/galeria-ipanema.com\/wp-content\/uploads\/2022\/09\/Antonio-Manuel-Energia-Acrilico-sobre-tela-90-x-120-1984.1.jpg?resize=200%2C150&amp;ssl=1 200w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>CRONOLOGIA<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Escultor, pintor, gravador e desenhista.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1953 &#8211; Rio de Janeiro &#8211; RJ &#8211; Passa a viver nessa cidade<\/li>\n\n\n\n<li>1968 &#8211; Rio de Janerio RJ &#8211; No evento Apocalipop\u00f3tese, organizado por H\u00e9lio Oiticica (1937 &#8211; 1980), cria Urnas Quentes, caixas de madeira com imagens e textos de jornal que deveriam ser quebradas pelo p\u00fablico<\/li>\n\n\n\n<li>1973 &#8211; Rio de Janeiro RJ &#8211; Realiza o filme Loucura &amp; Cultura, premiado no 3\u00ba Festival de Curta-Metragem do Jornal do Brasil<\/li>\n\n\n\n<li>1975 &#8211; Rio de Janeiro RJ &#8211; Realiza o filme Semi-\u00d3tica, pr\u00eamio de melhor filme socioantropol\u00f3gico na 5\u00aa Jornada Brasileira de Curta-Metragem de Salvador<\/li>\n\n\n\n<li>1984 &#8211; Rio de Janeiro RJ &#8211; Obt\u00e9m Bolsa de Pesquisa no 1\u00ba Concurso Ivan Serpa (Funarte)<\/li>\n\n\n\n<li>1984 &#8211; Rio de Janeiro RJ &#8211; A Funarte publica o livro Antonio Manuel, com textos de Frederico Morais, H\u00e9lio Oiticica, M\u00e1rio Pedrosa, Ronaldo Brito e do pr\u00f3prio artista<\/li>\n\n\n\n<li>1984 &#8211; Recebe bolsa de pesquisa pela Funda\u00e7\u00e3o Nacional da Arte, no 1\u00ba Concurso Ivan Serpa<\/li>\n\n\n\n<li>1990 &#8211; Rio de Janeiro RJ &#8211; Rog\u00e9rio Sganzerla dirige o v\u00eddeo An\u00f4nimo e Incomum, sobre os trabalhos do artista<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>EXPOSI\u00c7\u00d5ES INDIVIDUAIS<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1967 &#8211; Rio de Janeiro RJ &#8211; Individual, na Galeria Goeldi<\/li>\n\n\n\n<li>1973 &#8211; Rio de Janeiro RJ &#8211; De 0 \u00e0s 24 Horas, nas bancas de jornais, trabalho editado em suplemento de O Jornal<\/li>\n\n\n\n<li>1975 &#8211; Rio de Janeiro RJ &#8211; Isso \u00c9 que \u00c9, na Petite Galerie<\/li>\n\n\n\n<li>1976 &#8211; S\u00e3o Paulo SP &#8211; Isso \u00c9 que \u00c9, na Galeria Arte Global<\/li>\n\n\n\n<li>1980 &#8211; Rio de Janeiro RJ &#8211; Frutos do Espa\u00e7o, no Espa\u00e7o Arte Brasileira Contempor\u00e2nea, no Parque da Catacumba<\/li>\n\n\n\n<li>1983 &#8211; Rio de Janeiro RJ &#8211; Antonio Manuel: pinturas, na Galeria GB Arte<\/li>\n\n\n\n<li>1985 &#8211; Rio de Janeiro RJ &#8211; Individual, na Galeria Saramenha<\/li>\n\n\n\n<li>1986 &#8211; S\u00e3o Paulo SP &#8211; Individual, na Gabinete de Arte<\/li>\n\n\n\n<li>1986 &#8211; S\u00e3o Paulo SP &#8211; Quadro a Quadro, no Gabinete de Arte Raquel Arnaud<\/li>\n\n\n\n<li>1986 &#8211; Rio de Janeiro RJ &#8211; Tudo isso Existe, na Petite Galerie<\/li>\n\n\n\n<li>1988 &#8211; Rio de Janeiro RJ &#8211; Por Tudo, na Galeria Montesanti<\/li>\n\n\n\n<li>1990 &#8211; S\u00e3o Paulo SP &#8211; Sombras e Cintila\u00e7\u00f5es, no Gabinete de Arte Raquel Arnaudq<\/li>\n\n\n\n<li>1993 &#8211; Rio de Janeiro RJ &#8211; Antonio Manuel: pinturas, na Galeria Goudard<\/li>\n\n\n\n<li>1997 &#8211; Rio de Janeiro RJ &#8211; Individual, no Centro de Arte H\u00e9lio Oiticica<\/li>\n\n\n\n<li>1998 &#8211; Vit\u00f3ria ES &#8211; Antonio Manuel: pinturas e desenhos, na Galeria de Arte e Pesquisa da Ufes<\/li>\n\n\n\n<li>1998 &#8211; Niter\u00f3i RJ &#8211; Antonio Manuel, no MAC\/Niter\u00f3i<\/li>\n\n\n\n<li>1999 &#8211; Paris (Fran\u00e7a) &#8211; Fantasma &#8211; instala\u00e7\u00e3o, na Galerie Nationale du Jeu de Paume<\/li>\n\n\n\n<li>1999 &#8211; S\u00e3o Paulo SP &#8211; Individual, no Gabinete de Arte Raquel Arnaud<\/li>\n\n\n\n<li>2000 &#8211; Porto (Portugal) &#8211; Individual, na Funda\u00e7\u00e3o de Serralves<\/li>\n\n\n\n<li>2001 &#8211; Rio de Janeiro RJ &#8211; Individual, na H.A.P Galeria<\/li>\n\n\n\n<li>2002 &#8211; Rio de Janeiro RJ &#8211; Antonio Manuel, no Museu da Ch\u00e1cara do C\u00e9u<\/li>\n\n\n\n<li>2002 &#8211; S\u00e3o Paulo SP &#8211; Antonio Manuel, no Gabinete de Arte Raquel Arnaud<\/li>\n\n\n\n<li>2003 &#8211; S\u00e3o Paulo SP &#8211; Antonio Manuel, no CCSP<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>EXPOSI\u00c7\u00d5ES COLETIVAS<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1965 &#8211; Rio de Janeiro RJ &#8211; Sal\u00e3o dos Adolescentes<\/li>\n\n\n\n<li>1966 &#8211; Curitiba PR &#8211; 23\u00ba Sal\u00e3o Paranaense de Belas Artes, na Biblioteca P\u00fablica do Paran\u00e1 &#8211; pr\u00eamio de desenho<\/li>\n\n\n\n<li>1966 &#8211; Rio de Janeiro RJ &#8211; 15\u00ba Sal\u00e3o Nacional de Arte Moderna<\/li>\n\n\n\n<li>1966 &#8211; Salvador BA &#8211; 1\u00aa Bienal Nacional de Artes Pl\u00e1sticas<\/li>\n\n\n\n<li>1967 &#8211; Bras\u00edlia DF &#8211; 4\u00ba Sal\u00e3o de Arte Moderna do Distrito Federal, no Teatro Nacional de Bras\u00edlia<\/li>\n\n\n\n<li>1967 &#8211; Campinas SP &#8211; 3\u00ba Sal\u00e3o de Arte Contempor\u00e2nea &#8211; grande medalha de prata<\/li>\n\n\n\n<li>1967 &#8211; Petr\u00f3polis RJ &#8211; 1\u00ba Sal\u00e3o Nacional de Pintura Jovem, no Hotel Quitandinha<\/li>\n\n\n\n<li>1967 &#8211; Rio de Janeiro RJ &#8211; 16\u00ba Sal\u00e3o Nacional de Arte Moderna<\/li>\n\n\n\n<li>1967 &#8211; Rio de Janeiro RJ &#8211; Nova Objetividade Brasileira, no MAM\/RJ<\/li>\n\n\n\n<li>1967 &#8211; Rio de Janeiro RJ &#8211; Tropic\u00e1lia, no MAM\/RJ<\/li>\n\n\n\n<li>1967 &#8211; S\u00e3o Paulo SP &#8211; 9\u00ba Bienal Internacional de S\u00e3o Paulo, na Funda\u00e7\u00e3o Bienal &#8211; pr\u00eamio aquisi\u00e7\u00e3o<\/li>\n\n\n\n<li>1968 &#8211; Campinas SP &#8211; 4\u00ba Sal\u00e3o de Arte Contempor\u00e2nea, no MAC\/Campinas &#8211; pr\u00eamio de desenho<\/li>\n\n\n\n<li>1968 &#8211; Curitiba PR &#8211; 25\u00ba Sal\u00e3o Paranaense, na Biblioteca P\u00fablica do Paran\u00e1 &#8211; pr\u00eamio de gravura<\/li>\n\n\n\n<li>1968 &#8211; Rio de Janeiro RJ &#8211; Apocalipop\u00f3tese, no Pavilh\u00e3o Japon\u00eas<\/li>\n\n\n\n<li>1968 &#8211; Rio de Janeiro RJ &#8211; Arte no Aterro: um m\u00eas de arte p\u00fablica, no Aterro do Flamengo e Pavilh\u00e3o Japon\u00eas.<\/li>\n\n\n\n<li>1952\/1968 &#8211; Rio de Janeiro RJ &#8211; O Artista Brasileiro e a Iconografia de Massa, na Esdi<\/li>\n\n\n\n<li>1968 &#8211; Salvador BA &#8211; 2\u00aa Bienal Nacional de Artes Pl\u00e1sticas<\/li>\n\n\n\n<li>1969 &#8211; Rio de Janeiro RJ &#8211; Sal\u00e3o da B\u00fassola, no MAM\/RJ &#8211; pr\u00eamio aquisi\u00e7\u00e3o<\/li>\n\n\n\n<li>1970 &#8211; Rio de Janeiro RJ &#8211; 19\u00ba Sal\u00e3o Nacional de Arte Moderna, no MAM\/RJ<\/li>\n\n\n\n<li>1971 &#8211; T\u00f3quio (Jap\u00e3o) &#8211; International Biennial Exhibition of Prints<\/li>\n\n\n\n<li>1971 &#8211; Kyoto (Jap\u00e3o) &#8211; International Biennial Exhibition of Prints<\/li>\n\n\n\n<li>1973 &#8211; S\u00e3o Paulo SP &#8211; Expo-Proje\u00e7\u00e3o 73, no Espa\u00e7o Grife<\/li>\n\n\n\n<li>1975 &#8211; Rio de Janeiro RJ &#8211; Mostra de Arte Experimental de Filmes Super-8, Audiovisual e Videotape, na Galeria Maison de France<\/li>\n\n\n\n<li>1976 &#8211; Veneza (It\u00e1lia) &#8211; 38\u00ba Bienal de Veneza &#8211; Setor Atualidade Internacional<\/li>\n\n\n\n<li>1978 &#8211; S\u00e3o Paulo SP &#8211; O Objeto na Arte: Brasil anos 60, no MAB\/Faap<\/li>\n\n\n\n<li>1979 &#8211; Lisboa (Portugal) &#8211; Lis\u00b479: Lisbon International Show<\/li>\n\n\n\n<li>1980 &#8211; Mil\u00e3o (It\u00e1lia) &#8211; Quasi Cinema, no Centro Internazionale di Brera<\/li>\n\n\n\n<li>1980 &#8211; Rio de Janeiro RJ &#8211; Frutos do Espa\u00e7o, no Espa\u00e7o ABC<\/li>\n\n\n\n<li>1980 &#8211; Rio de Janeiro RJ &#8211; Homenagem a M\u00e1rio Pedrosa, na Galeria Jean Boghici<\/li>\n\n\n\n<li>1981 &#8211; Curitiba PR &#8211; Antonio Manuel, Reinaldo Jardim e Rettamazzo, no Solar do Ros\u00e1rio<\/li>\n\n\n\n<li>1982 &#8211; Lisboa (Portugal) &#8211; Brasil 60 Anos de Arte Moderna: Cole\u00e7\u00e3o Gilberto Chateaubriand, no Centro de Arte Moderna Jos\u00e9 de Azeredo Perdig\u00e3o<\/li>\n\n\n\n<li>1982 &#8211; Londres (Reino Unido) &#8211; Brasil 60 Anos de Arte Moderna: Cole\u00e7\u00e3o Gilberto Chateaubriand, na Barbican Art Gallery<\/li>\n\n\n\n<li>1983 &#8211; Rio de Janeiro RJ &#8211; A Flor da Pele: pintura e prazer, no Centro Empresarial Rio<\/li>\n\n\n\n<li>1983 &#8211; Rio de Janeiro RJ &#8211; Instala\u00e7\u00e3o, no Parque da Catacumba<\/li>\n\n\n\n<li>1984 &#8211; Niter\u00f3i RJ &#8211; Arte Brasileira Atual, na UFF<\/li>\n\n\n\n<li>1984 &#8211; Rio de Janeiro RJ &#8211; Interven\u00e7\u00f5es no Espa\u00e7o Urbano, na Funarte. Galeria S\u00e9rgio Milliet<\/li>\n\n\n\n<li>1985 &#8211; Rio de Janeiro RJ &#8211; Encontros, na Petite Galerie<\/li>\n\n\n\n<li>1986 &#8211; Rio de Janeiro RJ &#8211; Depoimento de uma Gera\u00e7\u00e3o: 1969-1970, na Galeria de Arte Banerj<\/li>\n\n\n\n<li>1986 &#8211; S\u00e3o Paulo SP &#8211; Coletiva, no Gabinete de Arte<\/li>\n\n\n\n<li>1987 &#8211; Rio de Janeiro RJ &#8211; Ao Colecionador: homenagem a Gilberto Chateaubriand, no MAM\/RJ<\/li>\n\n\n\n<li>1988 &#8211; Ribeir\u00e3o Preto SP &#8211; Arte Hoje 88, na Casa da Cultural &#8211; artista convidado<\/li>\n\n\n\n<li>1988 &#8211; Rio de Janeiro RJ &#8211; O Eterno \u00e9 Ef\u00eamero, na Petite Galerie<\/li>\n\n\n\n<li>1989 &#8211; Rio de Janeiro RJ &#8211; Gravura Brasileira: 4 temas, na EAV\/Parque Lage<\/li>\n\n\n\n<li>1989 &#8211; Rio de Janeiro RJ &#8211; Rio Hoje, no MAM\/RJ<\/li>\n\n\n\n<li>1990 &#8211; S\u00e3o Paulo SP &#8211; Figurativismo\/Abstracionismo. O Vermelho na Pintura Brasileira, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>1991 &#8211; Lisboa (Portugal) &#8211; Coletiva, na Secretaria de Cultura de Lisboa<\/li>\n\n\n\n<li>1991 &#8211; Rio de Janeiro RJ &#8211; Imagem sobre Imagem, no Espa\u00e7o Cultural S\u00e9rgio Porto<\/li>\n\n\n\n<li>1991 &#8211; Rio de Janeiro RJ &#8211; M\u00e1rio Pedrosa, Arte Revolu\u00e7\u00e3o, Reflex\u00e3o, no CCBB<\/li>\n\n\n\n<li>1992 &#8211; Porto Alegre RS &#8211; M\u00e1rio Pedrosa, Arte, Revolu\u00e7\u00e3o e Reflex\u00e3o, no Centro Municipal de Cultura<\/li>\n\n\n\n<li>1992 &#8211; Rio de Janeiro RJ &#8211; 1\u00aa A Caminho de Niter\u00f3i: Cole\u00e7\u00e3o Jo\u00e3o Sattamini, no Pa\u00e7o Imperial<\/li>\n\n\n\n<li>1992 &#8211; Rio de Janeiro RJ &#8211; Coca-Coca 50 Anos com Arte, no MAM\/RJ<\/li>\n\n\n\n<li>1992 &#8211; S\u00e3o Paulo SP &#8211; Coca-Coca 50 Anos com Arte, no MAM\/SP<\/li>\n\n\n\n<li>1992 &#8211; S\u00e3o Paulo SP &#8211; Anos 60\/70: Cole\u00e7\u00e3o Gilberto Chateaubriand &#8211; MAM\/RJ, na Galeria de Arte do Sesi<\/li>\n\n\n\n<li>1993 &#8211; Bras\u00edlia DF &#8211; Um Olhar sobre Joseph Beuys, no MAB\/DF<\/li>\n\n\n\n<li>1993 &#8211; Floren\u00e7a (It\u00e1lia) &#8211; Brasil: Segni d&#8217;Art, na Biblioteca Nationale Centrale di Firenze<\/li>\n\n\n\n<li>1993 &#8211; Mil\u00e3o (It\u00e1lia) &#8211; Brasil: Segni d&#8217;Arte, na Biblioteca Nazionale Braidense<\/li>\n\n\n\n<li>1993 &#8211; Rio de Janeiro RJ &#8211; Arte Er\u00f3tica, no MAM\/RJ<\/li>\n\n\n\n<li>1993 &#8211; Rio de Janeiro RJ &#8211; Emblemas do Corpo: o nu na arte moderna brasileira, no CCBB<\/li>\n\n\n\n<li>1993 &#8211; S\u00e3o Paulo SP &#8211; O Desenho Moderno no Brasil: Cole\u00e7\u00e3o Gilberto Chateaubriand, na Galeria de Arte do Sesi<\/li>\n\n\n\n<li>1993 &#8211; Veneza, Mil\u00e3o, Floren\u00e7a e Roma (It\u00e1lia) &#8211; Brasil, Segni d&#8217;Arte, na Querini Stanpalia, na Biblioteca Braidense, na Biblioteca Nationale e no Centro de Estudos Brasileiros<\/li>\n\n\n\n<li>1994 &#8211; Belo Horizonte MG &#8211; O Ef\u00eamero na Arte Brasileira: anos 60\/70<\/li>\n\n\n\n<li>1994 &#8211; Pen\u00e1polis SP &#8211; O Ef\u00eamero na Arte Brasileira: anos 60\/70, na Galeria Ita\u00fa Cultural<\/li>\n\n\n\n<li>1994 &#8211; Rio de Janeiro RJ &#8211; Instala\u00e7\u00e3o, Fantasma, na Galeria do Ibeu &#8211; premiado<\/li>\n\n\n\n<li>1994 &#8211; Rio de Janeiro RJ &#8211; LivroObjeto: a fronteira dos vazios, no CCBB<\/li>\n\n\n\n<li>1995 &#8211; Rio de Janeiro RJ &#8211; O Desenho Moderno no Brasil: Cole\u00e7\u00e3o Gilberto Chateubriand, no MAM\/RJ<\/li>\n\n\n\n<li>1994 &#8211; Rio de Janeiro RJ &#8211; Trincheiras: arte e pol\u00edtica no Brasil, no MAM\/RJ<\/li>\n\n\n\n<li>1994 &#8211; S\u00e3o Paulo SP &#8211; Bienal Brasil S\u00e9culo XX, na Funda\u00e7\u00e3o Bienal<\/li>\n\n\n\n<li>1994 &#8211; S\u00e3o Paulo SP &#8211; O Ef\u00eamero na Arte Brasileira: anos 60\/70, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>1994 &#8211; S\u00e3o Paulo SP &#8211; Po\u00e9tica da Resist\u00eancia: aspectos da gravura brasileira, na Galeria de Arte do Sesi<\/li>\n\n\n\n<li>1995 &#8211; Erfurt (Alemanha) &#8211; Configura 2 &#8211; Dialog der Kulturen, na Gallery Fischmark<\/li>\n\n\n\n<li>1995 &#8211; Rio de Janeiro RJ &#8211; A Arma F\u00e1lica, no Rio Arte<\/li>\n\n\n\n<li>1995 &#8211; S\u00e3o Paulo SP &#8211; Livro-Objeto: a fronteira dos vazios, no MAM\/SP<\/li>\n\n\n\n<li>1996 &#8211; Bras\u00edlia DF &#8211; O Ef\u00eamero na Arte Brasileira: anos 60\/70, no Ita\u00fa Galeria<\/li>\n\n\n\n<li>1996 &#8211; Niter\u00f3i RJ &#8211; Arte Contempor\u00e2nea Brasileira na Cole\u00e7\u00e3o Jo\u00e3o Sattamini, no MAC\/Niter\u00f3i<\/li>\n\n\n\n<li>1997 &#8211; Nova York (Estados Unidos) &#8211; Re-Aligning Visions: alternative currents in South American drawing, no El Museo del Barrio<\/li>\n\n\n\n<li>1997 &#8211; Little Rock (Estados Unidos) &#8211; Re-Aligning Visions: alternative currents in South American drawing, no Arkansas Art Center<\/li>\n\n\n\n<li>1997 &#8211; Porto Alegre RS &#8211; 1\u00aa Bienal de Artes Visuais do Mercosul, na Funda\u00e7\u00e3o Bienal de Artes Visuais do Mercosul<\/li>\n\n\n\n<li>1998 &#8211; Austin (Estados Unidos), Caracas (Venezuela) e Monterrey (M\u00e9xico) &#8211; Re-Aligning: alternative currents in South American drawing, na Archer M. Huntington Art Gallery, Museo de Bellas Artes e no Museo de Arte Contempor\u00e1neo<\/li>\n\n\n\n<li>1998 &#8211; Niter\u00f3i RJ &#8211; Ocupa\u00e7\u00f5es Descobrimentos, no MAC\/Niter\u00f3i<\/li>\n\n\n\n<li>1998 &#8211; Rio de Janeiro RJ &#8211; Anos 60\/70: Cole\u00e7\u00e3o Gilberto Chateaubriand, no MAM\/RJ<\/li>\n\n\n\n<li>1998 &#8211; Rio de Janeiro RJ &#8211; Trinta Anos de 68, no CCBB<\/li>\n\n\n\n<li>1998 &#8211; S\u00e3o Paulo SP &#8211; 24\u00aa Bienal Internacional de S\u00e3o Paulo, na Funda\u00e7\u00e3o Bienal<\/li>\n\n\n\n<li>1998 &#8211; S\u00e3o Paulo SP &#8211; Formas Transitivas: arte brasileira, constru\u00e7\u00e3o e inven\u00e7\u00e3o 1970\/1998, no Gabinete de Arte Raquel Arnaud<\/li>\n\n\n\n<li>1998 &#8211; S\u00e3o Paulo SP &#8211; Fronteiras, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>1998 &#8211; S\u00e3o Paulo SP &#8211; M\u00faltiplos, na Valu Oria Galeria de Arte<\/li>\n\n\n\n<li>1998 &#8211; S\u00e3o Paulo SP &#8211; O Moderno e o Contempor\u00e2neo na Arte Brasileira: Cole\u00e7\u00e3o Gilberto Chateaubriand &#8211; MAM\/RJ, no Masp<\/li>\n\n\n\n<li>1998 &#8211; S\u00e3o Paulo SP &#8211; Teoria dos Valores, no MAM\/SP<\/li>\n\n\n\n<li>1999 &#8211; Miami (Estados Unidos) &#8211; Re-Aligning Visions: alternative currents in South American drawing, no Miami Art Museum<\/li>\n\n\n\n<li>1999 &#8211; Nova York (Estados Unidos) &#8211; Global Conceptualism: points of origins 1950s-1980s, no The Queens Museum of Art<\/li>\n\n\n\n<li>1999 &#8211; Nova York &#8211; Global Conceptualism: point of origin 1950-80, no Queens Museum of Art<\/li>\n\n\n\n<li>1999 &#8211; Minneapolis &#8211; Global Conceptualism: point of origin 1950-80, no Walker Art Center<\/li>\n\n\n\n<li>1999 &#8211; Miami (Estados Unidos) &#8211; Global Conceptualism: point of origin 1950-80, no Miami Art Museum<\/li>\n\n\n\n<li>1999 &#8211; Rio de Janeiro RJ &#8211; Cotidiano\/Arte. O Objeto &#8211; Anos 60\/90, no MAM\/RJ<\/li>\n\n\n\n<li>1999 &#8211; S\u00e3o Paulo SP &#8211; Cotidiano\/Arte. O Consumo &#8211; Beba Mona Lisa, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>1999 &#8211; S\u00e3o Paulo SP &#8211; Cotidiano\/Arte. O Objeto &#8211; Anos 60\/90, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>2000 &#8211; Madri (Espanha) &#8211; Versiones del Sur: Cinco Propuestas en Torno a la Arte en Am\u00e9rica, no Museo Nacional Centro de Arte Reina Sof\u00eda<\/li>\n\n\n\n<li>2000 &#8211; Niter\u00f3i RJ &#8211; Pinturas na Cole\u00e7\u00e3o Jo\u00e3o Sattamini, no Museu de Arte Contempor\u00e2nea<\/li>\n\n\n\n<li>2000 &#8211; Rio de Janeiro RJ &#8211; Jornal Aberto, no Museu do Telephone<\/li>\n\n\n\n<li>2000 &#8211; Rio de Janeiro RJ &#8211; Situa\u00e7\u00f5es: arte brasileira anos 70, na Funda\u00e7\u00e3o Casa Fran\u00e7a-Brasil<\/li>\n\n\n\n<li>2000 &#8211; S\u00e3o Paulo SP &#8211; Brasil + 500 Mostra do Redescobrimento. Arte Contempor\u00e2nea, na Funda\u00e7\u00e3o Bienal<\/li>\n\n\n\n<li>2000 &#8211; S\u00e3o Paulo SP &#8211; Leituras Construtivas, no Gabinete de Arte Raquel Arnaud<\/li>\n\n\n\n<li>2001 &#8211; Campinas SP &#8211; (quase) Ef\u00eamera Arte, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>2001 &#8211; Nova York (Estados Unidos) &#8211; Brazil: body and soul, no Solomon R. Guggenheim Museum<\/li>\n\n\n\n<li>2001 &#8211; Oxford (Reino Unido) &#8211; Experiment Experi\u00eancia: art in Brazil 1958-2000, no Museum of Modern Art<\/li>\n\n\n\n<li>2001 &#8211; Rio de Janeiro RJ &#8211; A Trajet\u00f3ria: o experimento do artista, a trajet\u00f3ria e o processo, na Funarte<\/li>\n\n\n\n<li>2001 &#8211; Rio de Janeiro RJ &#8211; Aquarela Brasileira, no Centro Cultural Light<\/li>\n\n\n\n<li>2001 &#8211; Rio de Janeiro RJ &#8211; O Esp\u00edrito de Nossa \u00c9poca, no MAM\/RJ<\/li>\n\n\n\n<li>2001 &#8211; S\u00e3o Paulo SP &#8211; Anos 70: Trajet\u00f3rias, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>2001 &#8211; S\u00e3o Paulo SP &#8211; O Esp\u00edrito de Nossa \u00c9poca, no MAM\/SP<\/li>\n\n\n\n<li>2001 &#8211; S\u00e3o Paulo SP &#8211; Trajet\u00f3ria da Luz na Arte Brasileira, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>2002 &#8211; Rio de Janeiro RJ &#8211; Artefoto, no CCBB<\/li>\n\n\n\n<li>2002 &#8211; Rio de Janeiro RJ &#8211; Caminhos do Contempor\u00e2neo 1952-2002, no Pa\u00e7o Imperial<\/li>\n\n\n\n<li>2002 &#8211; Rio de Janeiro RJ &#8211; Entre a Imagem e a Palavra: m\u00f3dulo 2, na Sala MAM-Citt\u00e1 Am\u00e9rica<\/li>\n\n\n\n<li>2002 &#8211; Rio de Janeiro RJ &#8211; Identidades: o retrato brasileiro na Cole\u00e7\u00e3o Gilberto Chateaubriand, no MAM\/RJ<\/li>\n\n\n\n<li>2002 &#8211; S\u00e3o Paulo SP &#8211; A Forma e a Imagem T\u00e9cnica na Arte do Rio de Janeiro: 1950-1975, no Pa\u00e7o das Artes<\/li>\n\n\n\n<li>2002 &#8211; S\u00e3o Paulo SP &#8211; Mapa do Agora: arte brasileira recente na Cole\u00e7\u00e3o Jo\u00e3o Sattamini do Museu de Arte Contempor\u00e2nea de Niter\u00f3i, no Instituto Tomie Ohtake<\/li>\n\n\n\n<li>2003 &#8211; Bras\u00edlia DF &#8211; Artefoto, no CCBB<\/li>\n\n\n\n<li>2003 &#8211; Campos dos Goytacazes RJ &#8211; Poema Planar-Espacial, no Sesc<\/li>\n\n\n\n<li>2003 &#8211; Madri (Espanha) &#8211; Arco\/2003, no Parque Ferial Juan Carlos I<\/li>\n\n\n\n<li>2003 &#8211; Nova Friburgo RJ &#8211; Poema Planar-Espacial, na Galeria Sesc Nova Friburgo<\/li>\n\n\n\n<li>2003 &#8211; Rio de Janeiro RJ &#8211; Bandeiras do Brasil, no Museu da Rep\u00fablica<\/li>\n\n\n\n<li>2003 &#8211; S\u00e3o Paulo SP &#8211; A Subvers\u00e3o dos Meios, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>2003 &#8211; S\u00e3o Paulo SP &#8211; Arco 2003, no Gabinete de Arte Raquel Arnaud<\/li>\n\n\n\n<li>2003 &#8211; S\u00e3o Paulo SP &#8211; Arte e Sociedade: uma rela\u00e7\u00e3o pol\u00eamica, no Ita\u00fa Cultural<\/li>\n\n\n\n<li>2004 &#8211; S\u00e3o Paulo SP &#8211; Arte Contempor\u00e2nea: uma hist\u00f3ria em aberto, no Gabinete de Arte Raquel Arnaud<\/li>\n\n\n\n<li>2005 &#8211; Belo Horizonte MG &#8211; 40\/80: uma mostra de arte brasileira, na L\u00e9o Bahia Arte Contempor\u00e2nea Manuel<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>NASCIMENTO 1947- Avel\u00e3s de Caminha (Portugal) &#8211; 22 de outubro FORMA\u00c7\u00c3O ca.1965 &#8211; Rio de Janeiro RJ &#8211; Estuda com Augusto Rodrigues (1913 &#8211; 1993), na Escolinha de Arte do Brasilca.1965\/1973 &#8211; Rio de Janeiro RJ &#8211; Estuda no ateli\u00ea de Ivan Serpa (1923 &#8211; 1973)ca.1965 &#8211; Rio de Janeiro RJ &#8211; Estuda, como ouvinte, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/galeria-ipanema.com\/en\/antonio-manuel\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Antonio Manuel&#8221;<\/span><\/a><\/p>","protected":false},"author":178370742,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"_wpcom_ai_launchpad_contact_page":false,"_wpcom_ai_launchpad_events_page":false,"_wpcom_ai_launchpad_video_page":false,"_wpcom_ai_launchpad_portfolio_piece":false,"footnotes":""},"class_list":["post-1900","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/PbBA92-uE","amp_enabled":true,"_links":{"self":[{"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/pages\/1900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/users\/178370742"}],"replies":[{"embeddable":true,"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/comments?post=1900"}],"version-history":[{"count":2,"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/pages\/1900\/revisions"}],"predecessor-version":[{"id":4649,"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/pages\/1900\/revisions\/4649"}],"wp:attachment":[{"href":"https:\/\/galeria-ipanema.com\/en\/wp-json\/wp\/v2\/media?parent=1900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}